Tuesday, October 29, 2013

12 Movies That Changed My Life


           In every single person's life, no matter if you consider yourself a movie lover or not, there are one or two movies that have made an impact however big it may be. For some that list of movies may be long and detailed and for others it may be hard to compose a list but after time, a title is bound to come to mind.

           Today, I had the chance to sit down with the chief film critic of The Plain Dealer, Clint O'Connor. We sat in the conference room next to the newsroom for about an hour while drinking Coke and talking about various movies, journalism, criticism, film sets, and where we like to sit in theaters. One thing that did come up was how even he, being at a professional level, must form a relationship with his readers and how it is a great idea to let them know just who you are. I added my idea of writing what you are currently reading right now; a list of movies that have changed my life (for the better) will not only give more insight to my taste in film but also my interests as a writer.

            NOTE: The follow list is in no particular order and will contain some (a couple, maybe) spoilers. They are pretty well-known titles for the most part but this is not a list of my favorite movies, per se. I love them, that's why they're on the list, but the reasons listed is what really matters here. I came up with this list because these are movies that I have watched and taken something away I could significantly relate to and I hope you enjoy it and go watch the ones listed that you have not seen yet!

Harry Potter and the Sorcerer's Stone

            This was the first time I had ever seen a film that I had already read the book for. I was about eight or nine years old when I began reading J.K. Rowling's masterpieces and the books themselves are something I will cherish forever. When this movie came out it was very highly anticipated not only because of how popular the books were but also everyone wanted to see who was going to play the three main characters: Harry, Ron, and Hermione. Not only was I the same age as Harry Potter when this movie came out but I also had shaggy hair and wore glasses (which I took great pride in). Looking like the title character not only made this my favorite movie at the time but helped me connect with the mesmerizing phenomenon I was watching. I couldn't get enough and this movie united my two loves for the first time: reading books and watching movies.

The Shawshank Redemption

             This is a classic among classics and reviled as one of the greatest films ever made. On IMDb.com, Shawshank has the highest rating of 9.3/10 with over a million people having rated it. I am a huge lover of gaining information and using my imagination so, naturally, Andy Dufresne was someone I paid attention to while watching. His love for literature and his cultured state of mind made me want to go out just read more books. One thing about this film that I am ashamed to admit is that I did not take the time to sit down and watch it until I was twenty years old. Better late than never, I guess. Friendship and hope are the two power players here and Tim Robbins along with Morgan Freeman embody both of these qualities harmoniously. Movies like this just don't come around as often as we would like which is why The Shawshank Redemption has found a spot on this list.


Halloween (1978)

            This movie is a prime example of a "love at first sight" for me. The love I'm talking about is directed toward the film in its entirety. Everything. Michael Myers' blank mask, his suspenseful walk, the cheesy 70s teen dialogue, Jamie Lee Curtis' exaggerated and ear-piercing scream along with the shag-carpet that she always manages to gracefully fall on top of. Halloween is credited as the beginning of the "slasher" era of film and is one of the most successful independent movies ever made. John Carpenter made his directing debut and a nineteen year old Jamie Lee Curtis made her acting debut (having to use much of her own clothes due to a tiny budget). This movie is a lot of fun and an absolute must for the month of October.

The Departed

            When I was a freshman at Kent State, I sat on my next door neighbor's bed huddled in a small single-person dorm with five other guys and we watched Martin Scorsese's The Departed. My eyes widened at the unforgiving nature of Jack Nicholson and my hands flew up to my face as I watched the last 10 minutes in utter shock that still gives me goosebumps. I've never followed a character through a movie the way I did with Billy Costigan (Leonardo DiCaprio) and this is one of the few times have I been speechless after watching a film.


The King's Speech

            A common term for people who are interested in French culture is to call them a francophile. Well I am an anglophile. I have always had a deep interest in the British royal family and Prince William was even a role model of mine at an early age. This is way before the time of William or even his parents. After I watched the magic of a reluctant king learning how to correct a speech impediment just so he could better lead his nations, I was hooked. This was the first time I ever saw a movie first then went out and read the book that it was based off of. I had to learn more and the story of King George VI and Lionel Logue was something that entranced me.

Frankenstein (1931)

            When I first checked out this movie from the library when I was in 7th grade it was because I wanted to be able to say that I had seen it. I had no idea that movies this old could be anywhere near the quality films I had already seen. As funny or naive as that sounds it is totally true. The 1930s culture that is incorporated onscreen made me watch this three nights in a row. One of the most beloved horror stories ever told was even better in black and white and I was drawn in from the very first scene where Dr. Frankenstein steals a body directly after a funeral. This is true horror classic cinema at its finest.

Pulp Fiction

            Quentin Tarantino is a genius and possibly my favorite writer in Hollywood. Whatever he touches turns to gold and his cult following is something that will never die. This is his finest hour. Watching John Travolta and Samuel L. Jackson cooly talk about "royales with cheese" and downplay the act of murder while sitting in a car full of splattered blood, is what makes me think about this movie all the time. I will never do "the twist" the same again, and whenever I leave a diner I find myself bobbing my head and being "cool like Fonzie." This is a cinematic leap that has over shot the stars and remains timeless with every generation.


The Master

            There's not much to say about this film because there's not much that went into this film. But, I can honestly say it opened the door to they way I perceive movies that come off as abstract as this does. A lot of Paul Thomas Anderson's movies have the feel The Master does and the reason many people will stray away from this film is because it forces the viewer to fill in some details for his or herself. Movies do not have to answer every question and sometimes the ambiguous style is exactly what's needed.

Drive

            There is major intensity and very little dialogue. Ryan Gosling steals the heart of Carey Mulligan and every other girl who happens to be watching. This is another good example of filling in your own details but executed in a completely different way. I walked out of the theater quite unsure as to what I just watched but I knew I had to see it again (similar to The Master in this sense). The cinematography is what sets this apart and the acting from everyone is of A-list quality. This was the movie that proved Gosling was the real deal and the song that recurs in this film puts the viewer in a trance that continues to suck you in. Very 1980s and there are parts that left me awestruck from the very beginning and all throughout.


Jaws

            Back in 1975 nobody was going into the ocean let alone the local swimming pool because Steven Spielberg scarred them for life with his first ever feature film. That's right, a 27 year old Eagle Scout director is the reason you're scared of the water on vacation. The impact this had on me was how much I have always been afraid of the ocean even before I saw this and now, I guess you could say it's just been reinforced. Being an Eagle Scout myself, it is very cool and inspiring to see one of Hollywood's most dominant figures in history to be making moves at such a young age. All the greats have to start somewhere and the fact that this is where Spielberg started just makes me want to watch this movie 10 more times.

Zodiac

           I pondered for a second and asked myself if this movie deserved a spot in this list. It did not have as big an impact as some of the other films but it sure clued me in on an unsolved mystery that has stumped some of America's finest. As I mentioned earlier, I love the history of the British royals, but another strong interest of mine is infamous serial killers. Zodiac embodies the best of the worst. The chilling nature that David Fincher does so well transforms this movie into an experience and a journey for truth with the protagonist (Jake Gyllenhaal).


Exit Through The Gift Shop

            Ironically, this is the most recent film I have watched for the first time. This is the first documentary that kind of stopped me in my tracks. Revolving around the street art of Banksy, currently the most famous graffiti artist around, this is not an ordinary documentation of a movement; this is a story of expressing one's self anonymously and also how one can even be betrayed when no one knows who you are. This has left me having a different view what just looks like spray paint and scribbles. Of course, it is vandalism on paper but, to others, it's a revolution.

Thursday, October 24, 2013

Houston, Here's a Bigger Problem.

Gravity:

If you happen to be like me and get motion sickness or are prone to vertigo, my advice to you before entering the theater is to buckle in and suck it up for the 90-minute ride of your life that you'll be sad to miss.

            Every person here on Earth has taken a moment to look up at the black, star-speckled abyss above and wondered, "what could possibly be going on up there?" The pictures of Earth from space are beautiful and mesmerizing, why would anyone not want to go up there and experience that view?  Go see Gravity and have these questions and more all answered in pulse-pounding detail.

            So far, Fall-Winter 2013 has been a pretty successful season for movies given the extreme letdowns that we all paid to see this past summer. As the number one movie in the world and one of the most advertised films this year, it is hard to live up to hype the way Gravity has. Not only does this movie have the most extravagant, complex, and clear visual effects of any other film in recent memory but it also challenges both Newton's Law and Murphy's Law trouncing anything we have ever experienced. When Captain Edward Murphy of the United States Air Force first coined the phrase, "What can go wrong, will," back in 1949 I'll bet he was talking directly to Sandra Bullock and George Clooney. I mean, after the hell that they go through dealing with the complete unknown, Murphy couldn't have said that for anyone else.



            You know what this is about, you've seen the movie posters along with possibly the scariest film trailer I can recall in recent memory. Space is deeper than any ocean we can fathom and even more infinite than Einstein's imagination. For an hour and a half, you get to be trapped in it, wearing a space suit of course and (some) oxygen, but still...trapped. I guess being "trapped in the universe" is both an oxymoron and a paradox but nonetheless, Alfonso Cuaron (Children of Men, Harry Potter and the Prisoner of Azkaban) wrote and directed this mind-boggling adventure that's every bit of surprising as it is scary as hell. Taking the perfectly cast George Clooney and Sandra Bullock, Cuaron uses space as a conduit of the mind and body. His imagery and superbly crafted set is only a window into the endless phenomenon that makes up outer space and the human mind. Hey, you may just learn something new about astrophysics and about yourself as well.

            Not only is this a great season so far because of the quality of films but even more so, the acting. Gravity is a great example of more fine acting by professionals that the public is all too familiar with.

"C'mon man, how good can acting be when you're just in an astronaut suit and flailing your arms in space?" To which I would reply, "I know, I know but hear me out."

            George Clooney is dashing as always and probably will somehow make a space suit the next fashion statement that men everywhere will buy to look handsome. Playing a seasoned astronaut, Clooney has the calming nature and assertive leadership that will even keep you hanging on as you watch them float. But, as great as Mr. Clooney is, the sun shines a little brighter on Sandra Bullock. She is not as used to the whole no-gravity thing and breathes a little more nervously than her screen partner. She is truly in rare form here and this is absolutely a sign that she has not reached her peak of talent yet.

            The rumors are true about how phenomenal the special effects are and even people like Buzz Aldrin, also known as the second human to walk on the moon, say that the real deal voyage into space is not far off from what Alfonso Cuaron has conjured up. I'm sure Gravity will rack up its share of awards and nominations but if the visual effects and Ms. Bullock go unrecognized, I will not be the only person to launch myself into the atmosphere out of frustration. Take my advice and relax, that's the key to hold onto the seat and not letting go. Grade: 8.9/10
         

Sunday, October 13, 2013

This is your Captain Speaking...


Captain Phillips:

             Your jaw will drop, your heart will pound, your knuckles will whiten, and Mr. Hanks will be holding onto a gold statuette from the Academy early next year. When you walk out of the theater in awe of the spectacle of Captain Phillips you will have experienced every one of these feelings plus much more. This is the film experience of the year while recounting the true story of Captain Richard Phillips and his crew while Somalian pirates board his Maersk cargo ship in March 2009. The action and suspense is nonstop and the cast fires on all cylinders without missing a beat taking the audience into the ship and holding on through this disaster at sea.

             Every news channel reported this story first hand 4 years ago as it happened off the coast of Africa and everyone became familiar with Captain Richard Phillips and now we get to relive it. Based on Richard Phillips' book, "A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea," director Paul Greengrass (Bourne Ultimatum) nails it and stays onboard with the horror that is every sailor's nightmare. The plot has become mostly known now that the hype for this film has been built up; Somalian pirates board a cargo ship off the coast of Africa and want to conduct "business" which translates to antagonizing the captain and all the crew members. The pirates themselves are not fooling around and use their intimidating, skeletal manner to their favor while also keeping the attention on Captain Phillips (Hanks), or "Irish" as they come to know him. Don't get up to go to the bathroom because, from the time the first encounter occurs, it is full steam ahead with some high quality talent that really hits home no matter who you are.


            Being pretty much the only A-lister in this film, Tom Hanks easily steals the show as the title character and then takes the whole movie under his wing. His presence onscreen is commanding and gripping. You are literally in the bridge with Phillips and his crew as they go through an ordeal they wouldn't wish upon their worst enemies. I am not stepping too far in saying that this is Hanks' best job in front of a camera since Cast Away when he found himself in a similar situation. The leader of the pirates is named Muse (that's MOO-Say), played by Barkhad Abdi, and he is the human skeleton that you see in the commercials demoting Phillips from captain to hostage. His mannerisms and dialogue are as serious as a heart attack and nothing short of villainous acting. His other henchmen are just as good and you will find yourself making the same facial expressions as the crew members while they make their way closer...and closer.

            There are really not enough good things one can say about a movie of this caliber. Just make sure you're buckled in all the way until the credits begin to roll. Paul Greengrass and writer Billy Ray will being seeing their names in the Oscar nominee list for the graceful tragedy that they executed on the big screen. The distressed nature of the ship's crew and all those who are sent to help in Captain Phillips is what makes you keep wanting more and here's an obvious spoiler: you'll keep getting more. Grade: 9.3/10